Francesco Jodice “West”
©Francesco Jodice Las Vegas, Nevada, #011, 2014

Francesco Jodice “West”

  • Exposition
  • Exposition
  • Location Galerie le Château d'Eau
  • Public
    • Tout Public
    • Tout Public
    • À partir de 5 ans

WEST tells the story of the rise and fall of the American model and its image, over a period between the beginning of the gold rush (1848) and the bankruptcy of Lehman Brothers (2008).

WEST is a research project that investigates the origins of the current crisis of the liberal model and, more generally, of the West in an arc between the beginning of the Gold Rush (1848) and the bankruptcy of Lehman Brothers (2008). Begun in 2014, WEST consists of three long journeys through some of the states where the Gold Rush took place-California, Nevada, Utah, Wyoming, Arizona, Colorado, New Mexico, Nebraska, Texas, with the inclusion of contiguous Mexican areas.
The focus of the entire work is at the crossroads between the particular geology of this region (one of the oldest geological structures on the planet) and the archaeological ruins (mines, ghost towns, utopias, complexes and abandoned infrastructures) of this season driven by an irrepressible quest for immediate wealth.
Curated by Matteo Balduzzi
Realized with the support of the Italian Ministry of Culture, WEST has been selected among the winners of the X edition of the Italian Council (2021) a program for the international promotion of Italian art of the Directorate- Generale for Contemporary Creativity of the Ministry of Culture.
The project is presented by the Museum of Contemporary Photography of Milan Cinisello (MUFOCO) with the Gallery Le Château d'Eau, in collaboration with the architecture center Arc en rêve of Bordeaux.

A meticulously established path

Many European photographers went to the United States with readings, not always accurate but mostly nostalgic, of Robert Frank’s Americans in mind. There are countless subjective and even sentimental road movies, notebooks fascinated by wide open spaces, small towns, motels lost at the ends of the world, and wooden houses from another century.
Francesco Jodice’s approach is the opposite of this. He does not consider photography as a vector for memories of an intimate experience, but as a tool for analysis. The latter follows a meticulously established path based on historical data and makes it possible to grasp the evolution and decline of the greatest world power over a period of 160 years

This is the time span between the beginning of the gold rush in 1848 and the spectacular collapse of the Lehman Brothers bank in 2008, which affected the entire US banking system, and beyond.
Francesco Jodice photographs and highlights one of the forgotten elements that made the United States powerful: an iconography, or more precisely a combination of iconographies that not only associate and combine the natural landscape and Hollywood with the conquest of space, among others, but also found mythologies and power. But today the American landscape is going bankrupt and is littered with ruins, while we are still in the land of big bucks.

Christian Caujolle, Curator

©Francesco Jodice, West, Picacho Butte, Arizona, #013, 2014
Man with cap sitting on the ground holding a sign that says you want to give me a dollar
© Francesco Jodice_West_08

Book

The lamaindonne Editions and the Galerie Le Château d’Eau present
After the West, photographs by Francesco Jodice on the occasion of the exhibition «West».

Textes de Matteo Balduzzi, Francesco Jodice, Francesco Zanot

Size : 19 x 23,5 cm
104 pages /41 b&w and four-color photographs
Paperback cover with flaps

©Editions Lamaindone Couverture du livre West

Biography of the artist

Francesco Jodice, born in Naples in 1967, lives in Milan. His artistic research focuses on changes in the contemporary social landscape, with particular attention to the urban anthropology phenomena and the production of new participation processes. His projects seek to establish a common ground between art and geopolitics, offering artistic practice as civil poetics.
He has been teaching for two years at NABA – Nuova Accademia di Belle Arti in Milan in visual arts and curatorial studies, as well as in the master’s degree programme in photography and visual design
He is a founder of the Multiplicity and Zapruder organisations.

Plane crashed on the ground, nose forward, in the desert of Nevada.
©Francesco Jodice_West Nelson, Nevada, #18, 2017

He has participated in important group exhibitions such as Documenta, the Venice Biennial, the São Paulo Biennial, the ICP Triennial in New York, the second Yinchuan Biennial, and has exhibited at the Castello di Rivoli, the Tate Modern (London) and the Prado (Madrid).
His major projects include the photographic atlas “What We Want”, an observatory of landscape change as a projection of collective desires, the urban trace archive “The Secret Traces” and the trilogy of films on new forms of urbanism “Citytellers”.
His most recent works – Atlante, American Recordings, WEST and Revolutions – explore possible future scenarios for the West.